Volume 1 Number 2
Welcome to the second edition of the Rocket Words Gazette
Greetings! This is Jerry Karp, the writer behind Rocket Words. The first edition of the Gazette, sent out in May, received lots of great feedback, so here I am again, as promised. I've got some great music and arts events to let you know about and a cool website to highlight. Plus, this edition's Rocket Words Writing Tip features some good news about prepositions. (Good news about grammar? Why, yes.)
For more about Rocket Words, including writing samples, information on my services and clients, and free resources, please visit my website, www.rocketwords.com. If you've already seen the site, please drop in again. Further on in this newsletter you'll find a rundown of new links and features I've recently added.
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Seventh Day Swing: Sundays at the Dogpatch and a host of Sunday (and Monday) Jam Sessions
On a late Sunday afternoon, down on Third Street, down by the storage buildings, the industrial supply outlets and the parking lot full of idle cement mixers, a hard swinging, bebop alto sax solo is pouring out of a small corner tavern. Inside, the rhythm section swings along brightly behind the saxman and the jazz fans and neighborhood regulars filling the room relax and enjoy. The alto player is Andrew Speight, and the scene is the Vince Lateano/Andrew Speight Sunday Jam at the Dogpatch Saloon (2496 Third Street @ 22nd, 4:00 to 8:00 pm).
When Pearls in North Beach closed its doors (temporarily, thank goodness), drummer Vince Lateano, a well-known San Francisco jazz veteran, approached old friend Mike Apicelli, co-owner of the Dogpatch, about moving his regular Sunday Pearl's jam out to the 'hood.
"I've always liked jazz venues on Sunday afternoons," Apicelli told me over lunch recently, "and I kind of like things that are more underground, that grow by word of mouth. So when Vince suggested the idea, I said, 'Yeah!' Vince has been a friend for a long time. He played at my son's baptism 17 years ago in the backyard with Joe Ellis, Madeline Eastman and all those guys he used to hang out with."
Apicelli, a Connecticut native who moved to San Francisco back in 1968, has owned the Dogpatch for four years. The bar has had previous lives as Bouncer's and Tugboat Annie's.
"I'd had this piano in my house for 20 years," he explained. "I bought it once when I was a little flush just to have it. So it had maybe been played seven times in 20 years, you know? (He says this laughing.) I was happy to move it down to the bar. And that room was made for that piano."
The music at the Dogpatch gig is always good. Leading the group along with master drummer Lateano is saxophonist Andrew Speight. Speight, who also appeared regularly at Pearls, is a hard driving player, dedicated primarily to the bebop and post bop styles, and his crisp riffs charge the energy level at the Dogpatch all afternoon. The piano and bass chairs rotate fairly regularly, as befits a jam session. On the Sundays I've attended, pianists have included the likes of Adam Shulman, of the Eaton/Barics Quintet, and the excellent Matt Clark. The bass players have included such musicians as Michael Zisman and Eugene Warren.
Best of all, perhaps, because Lateano and Speight, between them, seem to know every jazz player in the city, the roster of musicians (of all generations) sitting in on any given Sunday is always interesting and often astounding. One Sunday, both Kim Nally and Denise Perrier were on hand to sing. Terrific trumpeter Al Molina is a regular visitor. Tenor saxmen like Dayna Stephens (who plays with Marcus Shelby) and Rob Sudduth (who plays with Huey Lewis!) have been in more than once. It's that kind of day.
In the meantime, Apicelli is endeavoring to keep it all relaxed and comfortable, working the room like a host, not just an owner. For your $5.00 cover, you're even invited to partake of the food spread, usually including some tasty gumbo or chili.
"Schmoozing with customers is my forte, and I thought the food would be nice, just to make things a little down-homey," Mike says. "I don't want the food to be a big deal, though. The music is the big deal."
One more thing (not that I'm trying to talk you into anything): 3rd Street at 22nd is not as remote as it sounds. It's practically right around the corner from the Protrero Hill 280 exit. Or, to look at it another way, just drive down to the end of 16th Street and turn right at 3rd. Believe me, on a Sunday afternoon, there's no traffic down there. It's a great place to drop in for that last relaxing shot of weekend after your Sunday adventure. For all that excellent local jazz (and gumbo, too!) for a slim five bills, it's not that far to go.
Kevin Chen, Program Director of the great "First Tuesdays" jazz series at Intersection for the Arts has checked in with some great news. Beginning in January 2004, Intersection will be presenting jazz twice a month instead of just once. This is a true bonus, because the Intersection performance space is one of the best places in town to experience jazz (and theater, too). The live sound, terrific sightlines and proximity of audience to performers make you to feel that you're in and of the music, not just listening from afar. In the meantime, we enjoy our monthly pleasures. "First Tuesdays" is dark in August, but returns Tuesday, September 2 at 8 pm with Larry Ochs and Drumming Core. Saxophonist Ochs is a founding member of the ROVA Saxophone Quartet. The group's website describes their music thusly: "The Core's music is a meditation on and a 21st-century distillation of the songs of American and eastern European blues-shouters, and of traditional chant-singers from Asia and Africa. This is the space that this band goes after." They go after this space with a trio consisting of Ochs and two drummers (Scott Amendola and Donald Robinson). Different, challenging, enjoyable. Intersection for the Arts is located at 446 Valencia (between 15th and 16th Streets) in San Francisco. Admission is $12-$15 (sliding scale). Call (415) 626-3311 for tickets or info.
Indoor Salon #7, the latest in the series of literary/arts events I host with writer Kim Addonizio at Rocket Words World Headquarters in Cole Valley, SF, roared into action on June 14. The salons are a mix of poetry/prose readings, artist and photographer slide shows, live music, food, wine and just plain get together that take place every other month or so.
The June salon featured readings by noir writer Eddie Muller, poet Mark Turpin and fiction writer Ed Hodson. There were incredible slide shows by painter Kevin Piyatilake and Barbara Butler, who creates incredible children's play structures. Cool jazz was provided by pianist Michael Parsons and bassist Eugene Warren. The place was packed and, as always, we had a blast. A cool bonus: I recently heard from Kevin Piyatilake that after seeing his slides, Barbara Butler has asked him to create artistic designs for her forts, tree houses and furniture. Another Indoor Salon artists connection!
Want to know about upcoming Salons? Don't worry. If you remain on this email list, you'll get announcements about all future events. Stay tuned.
Music in Schools Today is a San Francisco-based organization dedicated to keeping music programs alive in our schools. The organization develops music curriculum that can be individualized for specific schools and even particular classrooms, including programs specifically designed to reach at-risk youth, and runs an instrument donation program. And that's just for starters. Their site is great, too. Along with a full description of the organization's courses and programs, MUSTCreate.org features a host of online roll models and mentors (Carlos Santana, Dave Bryson of the Counting Crows, Herbie Hancock and Frederica von Stade are just a few). There's a lot more great information, designed to support and encourage young musicians and to inform the rest of us how we can help MUSTCreate do their work.
--Tony Bennett, from his autobiography, The Good Life (written with Will Friedwald)Another tremendous coach of mine was Mimi Speer. . . . She'd tell me, "Do not imitate another singer, because you'll end up sounding just like they do, and you won't develop an original sound. Instead, find a musician you really like and study their phrasing. That way, you'll create a sound all your own." It was a great tip. I paid particular attention to sax players Stan Getz and Lester Young. Art Tatum was the greatest piano player of all time and was particularly instructive to listen to because he did unexpected stuff, all those jumps in and out of the melody.
Have a reaction to or comment on this quote? Please share it with me. I'll include my favorite two or three (or excerpts thereof) in the next Rocket Words Gazette, and give you credit, of course. Have a quote to offer? Same drill.
Ask Jerry—This edition's grammar question
Have a question about grammar, punctuation, syntax, sentence structure or anything related to writing in general? Send it along. I'll include my answer to one question each month.
Here's our question for this month:
Question: Are both the sentences below correct? What's difference between them and how can I remember it?
I went to the race track, although my brother decided to stay home.
I went to the race track, however, my brother decided to stay home.
Jerry: The first sentence is correct, but the second sentence is incorrect. The issue is the connecting comma. It's correct to connect the two clauses in the first example with a comma. It's incorrect to do so in the second. Here's why, and what to do about it:
In the first example, we have the two independent clauses (clauses that stand on their own as sentences), "I went to the race track" and "My brother decided to stay home," connected by "although." In the second example, the connector is "however."
"Although" is a subordinating conjunction. (Don't worry about the grammar jargon.) An independent clause ("My brother decided to stay home.") with a subordinating conjunction in front becomes a subordinate clause ("Because my brother decided to stay home . . . ") that must be connected to an independent clause (with or without a comma).
"However," on the other hand, is a relative adverb (a.k.a. "conjunctive adverb," depending on the book you're reading). An independent clause with one of these fellows in front of it is still an independent clause. So we may not connect it to another independent clause with a comma. Watch:
Although my brother decided to stay home. [This is not a sentence. It's a subordinate clause looking for an independent clause to call home.]
However, my brother decided to stay home. [This is a sentence, just fine on its own, that cannot be grafted onto another sentence with a comma.]
What to do? The easiest "fix" for the second example above is to create to separate sentences. It is also OK to connect two independent clauses with a semicolon. So:
I went to the race track, however, my brother decided to stay home. (incorrect)
I went to the race track. However, my brother decided to stay home. (correct)
I went to the race track; however, my brother decided to stay home. (also correct)
How to tell which is which? Knowing that "subordinate conjunctions" and "relative adverbs" have different punctuation rules doesn't help all that much if you can't easily determine which is which. Below, I've included a list of the most common examples of each, but who's going to memorize them? Nobody. Here, however, is a handy rule of thumb: If you can move the word around in the clause, it's a relative adverb and needs a semicolon or a new sentence. Observe:
You could write
I went to buy the family's groceries. However, the store was out of milk.
Or you could write
I went to buy the family's groceries. The store, however, was out of milk.
The word can be moved about in the sentence somewhat. That's a relative adverb. In the examples above, it would need a period or semicolon
But you can't change
I had to go to the store, because my brother had forgotten to buy milk.
to
I had to go to the store, my brother, because, had forgotten to buy milk.
Common relative adverbs (start a new sentence or use a semicolon): however, also, furthermore, otherwise, then, besides, similarly, therefore, consequently, moreover, still, thus, finally, nevertheless, supposedly, on the other hand.
There's been lots going on at Rocket Words World Headquarters lately, including:
- producing a direct mailer and a set of marketing brochures for the San Francisco-based real estate/mortgage broker team of Irene Ogus and Eileen Lynette.
- writing a series of articles for JazzWest.com, a great website offering comprehensive coverage of the Bay Area jazz scene.
- beginning planning with Janelle McCuen of The Girl Project for creation of curriculum materials to accompany her short film, Shoes.
- creating product introduction material to help designer Lori Elder market her fabulous inflatable floating baseball glove (officially licensed by Major League Baseball) to all 30 major league teams.
- doing good works! in the form of volunteer editing for Music in Schools Today, a great nonprofit (see this edition's Cool Website).
- updating my website: all the JazzWest.com stories are linked from the Writing Samples/Publications page; the Free Resources page includes several new resource links for arts and music lovers, artists, musicians, writers and business owners; also on the Free Resources page you'll find the first issue of the Gazette archived and a new feature called Rocket Words Interviews. These will be full-length transcriptions of the artist and musician interviews I conduct as background for my published arts articles. The first installment is my interview with Mike Zilber an insightful and expression jazz saxophonist and bandleader who has made a name for himself in the Bay Area and in New York.
See You Next Time
That's it for this edition of the Rocket Words Gazette. As always, I welcome any and all feedback. If you have a comment or question, or a suggestion for an arts event to be noted in a future edition, please send it on to me.
Thanks, and see you next time.
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Rocket Words is the writing service I've developed to help artists, musicians and arts-related businesses increase sales, enhance audience and media awareness of their work, and gain funding for their projects. Rocket Words services include lively and effective web site content, press releases/press kits, grant proposals and marketing materials, as well as well-researched, entertaining articles for music, arts and design-related publications. Please visit my website at www.rocketwords.com for more information. Should you be interested in my services, just mention the Rocket Words Gazette for a five percent discount off our first project together.